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On a frosty winter
morning more than two years ago, some of the very first scenes of "Water
and Fire: A Story of the Ozarks" were committed to videotape. The
project has occupied us in every season since. By the time the shooting
ended, we had recorded some 60 hours of images and conversation. It's also how
two years can get away. |
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rainy spring day we went to shoot a spectacular rock formation, the Johnson
Shut-Ins. The early morning light was gauzy and mystical. The wet boulders
were shiny as polished metal. They also were slick. Trying to do my donkey-share
of lugging camera equipment, I slipped on one of them and broke a rib. Fire has played a big part in Ozark life, but the first year of our project wildfires were uncommonly scarce. So we came into this last autumn wondering where we¹d find the footage. Then fate stepped in. On the windiest, driest day of the season, a power line short ignited a piece of country I love - the stretch of Ozark woodland in which my cabin stands. That was the start of the burning. In the next two weeks, before the rains came, 6000 acres of the country were blackened with fire. My little cabin was scorched some, but it survived. The rib healed without complication. And in another month or two, in the fullness of spring, the burned-over land will green again. I hope, after watching "Water and Fire: A Story of the Ozarks," you'll feel as we do, that it all was worth it in the end. |
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